thelmasmith

Dinnerware Artspace is beginning a new mural located at
Arizona Alley at (the 200 block of) E. Congress Street.

Young and older latino artists are invited to participate.

This mural is being created in conjunction with the
National Association of Latino Arts and Culture (NALAC) Regional Conference,  April 25-26, 2008, and the Tucson/Pima Arts Council.

Check the NALAC.org  website for more information on attending the workshop.

The mural title is “Tucson Colectivo”.
Bring your own paints and brushes.
The mural format is two giant spirals on a 40ft long mural.
Latino and latina artists can claim a section to paint on.

Tell your latino/latina artist friends about this project.

Contact me at Dinnerware Artspace for more details.

David Aguirre
Dinnerware Artspace
520 792-4503

Register now for the National Association of Latino Arts and Culture Workshops, hosted by the Tucson Pima Arts Council, April 24, 25, and 26, at the Hotel Arizona in downtown Tucson. NALAC’s Regional Arts Training Workshops are convened throughout the nation to assist in strengthening local networks of Latino artists and arts and cultural organizations. All are welcome! Workshops will provide professional development opportunities and foster theoretical and aesthetic discussion. For more info contact Reuben Tomas Roqueni at 624-0595 x18 or reuben@tucsonpimaartscouncil.org   To register, visit the NALAC website at: www.nalac.org To view the just released NALAC Conference Agenda visit: www.tucsonpimaartscouncil.org/about/AboutWordDocs/NALACAgenda.pdf

Reprinted from Women’s eNews as an educational service under the fair use doctrine of the U. S. Copyright Law.   Subscribe here.

As an aside, personally I subjected myself to a tubal ligation so that I would never face the emotional and psychological consequences of possibly having to make this sort of decision.  However, I will to my dying day stand tall for all women to retain the right to make their own choices.

“Abortion” as a search term had been blocked in POPLINE, the largest reproductive health database, according to an April 2 post by Women’s Health News blogger Rachel Walden. The research database is funded by the federal government as a project of the Johns Hopkins Bloomberg School of Public Health. The result is that a person who types abortion in to the database for a keyword search will retrieve no articles on the topic.

Database officials advised a librarian who queried about the omission that the term “unwanted pregnancy” should be substituted instead. A more difficult search through the database’s index can still be used to retrieve abortion-related articles, but most average library users will not know the workaround, Walden, who is a librarian, points out in her post.

The database is funded through the U.S. Agency for International Development, which is prohibited from distributing foreign aid to international groups that provide abortions, make abortion referrals or lobby for change in their nation’s abortion laws, under the so-called global gag rule policy of the Bush administration.

On April 4, apparently in response to bloggers, Michael J. Klag, dean of the Bloomberg School, reversed the decision to remove “abortion” as a search term and said he would launch an inquiry into the change. In a statement published on the school’s Web site, Klag said that USAID had found two items in the database that did not meet POPLINE’s criteria for “evidence-based information” and administrators decided to remove the search term.

It’s time to get Published. J. Mercury & Maxed Art present: The Plume Zine: [bicycle] Conversations. The new theme is: anything relating to Bicycles or Conversations. All submissions must touch on this theme. Submit written work (poems, prose, micro fiction). Must be under two pages, double spaced. All written work is subject to a selection process. Submit images (drawing, collage, photography) no larger than 8×10. If emailing your image, it must be saved at 300dpi. Artwork will be proportionally formatted to fit the ‘zine. Submit all work by April 3. The Plume Zine is: art for people. Our debut zine, God & Love, a hand-bound, double pamphlet stitch, in an edition of 50, was distributed at select locations in Tucson and just about flew off the shelves. God & Love had 11 contributors and debuted with a reading at Dinnerware Artspace gallery. [bicycle] Conversations will have a special debut party TBA — don’t miss out! (view blog for images) Email submissions to MaxedArt@gmail.com or call 245-2681. The future awaits you at maxedart.blogspot.com

Join ArtCorps and use your creative talents to strengthen international development in Central America in 2009.  Through community arts projects, artists educate and inspire people to participate actively in improving the environmental, health, and social conditions in their communities. Work as a volunteer with a host nonprofit development organization that is an expert in its field. All volunteers will receive a personal stipend of approximately $1,000 to reduce personal costs, in addition to receiving airfare, room and board, and medical insurance. Both 1-year and 2-year opportunities are available. Candidates must be proficient in Spanish. Deadlines are April 4 and May 2. For application visit http://www.artcorp.org/artist_placements.html

I was at the University of Arizona Museum of Art today. This is from a new installation by
El Anatsui.

These works are copyright of the artist and are shown here under the doctrine of fair use for educational purposes. The work above uses the rims of screw on caps of cheap liquor that the anglo world has exported to Africa for the last several centuries. It references that societal problem, the problem of garbage, and also the West African textile tradition.

Not to mention that it is lusciously gorgeous and cries out to be carressed.

More societal commentary. Aluminum printing plates used in their most maleable form to comment on waste and waste paper in particular.

If you are traveling or happen to be around Tucson, Arizona, do yourself a favor and go to the University of Arizona. There is the Museum, two galleries, the Center for Creative Photography, the Flanrau Observatory, the Arizona Historical museum and much more.

This is one of the first semi-successful prints from one of the linoleum blocks I’ve carved. My husband stole the print of the cat laying in front of the full moon. The old cedar tree taught me that it is much more sensible to carve the object. Carving away the background even when you leave a border to support the brayer requires much more skill than I have right now. I’ll have to actually get my printing done on good paper instead of just testing on typing sheet sorts of samples.

Last Wednesday I struggled with intaglio wiping the large, multi color, chard collagraph. I failed miserably. Then printed it again after more wiping. It was only a minor failure.

I cleaned the plate. Printed a blind emboss from it Wednesday and it is only a minor failure. The blind emboss, done Thursday, from the bamboo was good with only minor creasing. These are a couple of details from the blind emboss from that plate.

However, the real success on Thursday is a bunch of small square and rectangular offcuts from the big bamboo plate. I did one and then rearranged the modules.

I did five consecutively with increasing pressure. The last one was two half inch foam blankets and then thin, thick, and medium regular blankets. The blind emboss combined with the half sheet (smaller) of paper meant that I could put on gonzo pressure and still not break the paper.

Pretty rewarding to see the progression of the five. I forgot to take the camera with me on Thursday. Now I’ve got my confidence up just a bit I think I will ink each module with a different color, wipe, and print. I’ve also taxed my body mightily even though the gearing on the big press is pretty good. My shoulders and my back are telling me I ran a LOT through that press last week.

I have fallen way behind the pace of the work and the assignments. I don’t know how the kids who are taking twelve to sixteen credits are handling the volume of work.

The big plates are beautiful but a real headache. The press is thirty years old and has experienced all that teen aged students can imagine in it’s life. The bed will take a fifty inch long piece of paper; the roller is about thirty inches long.

I guess I should spend the weekend reading the text books. However, the two women, with great experience, who come in and work on lab days are very kind and teach me a lot. I’ve been delivering pomegranites for rewards.

I like the multi cultural and multi generational aspects of the class a lot. I guess it is time for me to become a bit more social person again.

My dear, Scots friend, Marion, has tagged me with these instructions:

1. Link to your tagger and post these rules.
2. Share 7 facts about yourself: some random, some weird.
3. Tag 7 people at the end of your post and list their names (linking to them).
4. Let them know they’ve been tagged by leaving a comment at their blogs.

So, seven facts about myself.

• Frank Herbert lived in Port Townsend.
  As he aged he worked with a colleague. They picked my maiden name,
  Scudi, out of the phone book. The character, Scudi Wang, in the novel
  The Lazurus Effect so spooked me for years (1983). Many years later I
  went and got the autographed copy he had left at the local bookstore
  for me.
• I was born in Indiana and grew up on a farm.
• I came from a very non standard family.
• I love to drive. I use “doing miles” to air out my mind and my spirit.
• I love the surf of the Pacific Ocean; I miss it very much. Like “doing miles” I miss that help.
• One spring when I was a child we had nineteen kittens; five of them were pure white.

• I’m much more restrained now. I have only six cats.

Now, who shall I tag?

1. lauralyn sciretta
2. rayna gillman
3. pam rubert
4. susie monday
5. sabrina zarco
6. natalia aikens
7. denise aumick

Whew! That was an unexpected amount of work. All those tagged are artists who’s work and thoughts I admire.

Or is this just shameless boasting of a grandmother?

You may be able to see my DIL’s note that my grand daughter, Ava, had her bookmark design selected for the library’s bookmarks. Pretty neat for such a beautiful young lady.

Here are more dragons. I had sent Ava books from the Jackson Museum of Art. The big hit are the tiny ones. Smaller than a playing card they are magical movie books from the zoo.

A request from an old friend sent me to the old slide master files. She remembered a commission I had done in 2002. One of the things it proves is the foolhardiness of keeping backup on Cds. If they aren’t clearly marked you will never find what you are looking for.

Since I keep images in my picture files on an external hard drive to keep the speed of my machine and I’ve changed machines since then it was a challenge. However the artist’s statements were still in the 2004 business files. TMI, I know, you didn’t need to know all that.

These images are commissions that were made in 2002 and before.  They are in private collections.  This is probably the only chance you will get to get a glimpse of them.

Preliminary sketch.

One of the images, backed by textiles that was sent to the gentleman who was handling arrangements for the commission.

The cliffs along the highway, byway, along Patagonia Creek. This is the road from Nogales, through Patagoia to Sonoita. You can see the image in the snapshot and the detail.

The far mountains were too bright; they advanced too far in the picture plain. They were covered with a printed sheer. The lines were then couched to reinforce the shaping while retaining the distance.

This is, by far, my most favorite detail of the whole work. Click the image to enlarge. There is a coatamundi in the lower left corner. The tall agave blossom tell that that particular agave has reached it’s life’s end.

The whole image, All is Right With the World. It is five feet high and eight feet long.

See all those folds in the mountains? Every one of them is a passageway for a traveler who is looking for a way to feed his family. For every traveler who gets through safely and finds a job a village of forty people stay at home, retain their own culture, and survive from the wages that one poor man sends home.

Other things to remember about the Sonoran Desert, it is the wettest, greenest desert on earth. You will see the Patagonia Creek Ford at the lower right. In reality that ford is three miles down the road. It is fed by an artesian spring up in the hills above Sonoita. It has fed this land for eons.

Water in the desert is rarely seen; it is like the force that runs the universe. Seldom seen, yet it’s effects are seen everywhere.

Now, I’ll show you an earlier commission, Desert Icons, that led to the one above.

This is the mountain range I see from my workroom windows. The mountain on the left is Mount Hopkins. It is home to the Fred Lawrence Whipple Observatory. To the right is Elephant Head. If you look closely you will see his ear and his tusks. These mountains are all volcanic remains.

My favorite detail from Desert Icons, the Harris Hawk. He is about the size of my fist and I have small hands. There are twenty one different pieces of fabric giving him life. His stick nest is appropriate as the sahuaro is the place the hawks nest. It was made by destroying a child’s toy witches broom.

The last, Painted Desert, now in a private collection in France. This piece was the original piecework of the far, rolling, valley in AIRWTW; it was much too bright. It landed in the dustbin. I finally thought, no, it’s much too beautiful to throw away. I cut it and added the brilliant red orange, turned pieces this way and that. The backing was turned in instead of binding the work.