thelmasmith

Wonderful cedar tree trunks; the trunks are actually quite hairy.

The Tougaloo Campus is five hundred acres. The college began in 1869.

The image, is one of the Las Madres with artist, Valarie James, as it was being unpacked at the Tubac Center of the Arts in February, 2006.  It was a portion of the exhibition Changing the World one Thread at a Time.

Still, people are dying. Valarie James has produced one of the most professional and lyrical laments and memorials to this sad process. Las Madres, No Mas Lagrimas YouTube is well used and the subject matter is well served in this short film.

The back story on the journey of Las Madres is on Valarie’s blog.  Fortunately, the monsoon has come to the Sonoran Desert. It brings vicious squall lines, torrents of water, thunder, lightening, and flash floods. It also brings us much needed water, humidity, and a cooling of the intense heats of June and early July. A thunder storm can lower the temperature thirty degrees in a matter of minutes.

One of the things seen at the Tougaloo Artists’ Colony.

At least I do. I was questioned as to why I was backed up to the water fountain in the hallway with my camera. I said, “Look down the hall.” “Duh? Oh, well. I thought what I saw was beautiful in a strangely surreal, industrial, functional sort of way.

The hallway was really two different hallways. One with the lights and backlighting gave one image.

The image taken with no ceiling lights on is completely different. I brought the levels up in Photoshop to let you see the detail.

I suspect the lighting at the far end of the hall is a single ceiling fixture. We were working in a huge room in a daylight basement that is the print workroom during the school year.

Pictured above are Sonji Hunt and Rhonda Blasingame. Do go to Sonji Says for a much more complete description of the class. Rhonda, please contact me; I’m unable to find how to email you.

Among the things I firmly believe is the idea that textile art is not well served by being kept to itself. We use the words art quilt and wonder why no other artists are interested in our work.

I went to the Tougaloo Art Colony in Jackson, Mississippi, last week because the words said art colony. I have never spent a week so joyously.

Ceramicists, painters, enamelers, textile workers, all noted and acclaimed instructors, most who were professors at other institutions came together for a week of very intense study. Very intense study was combined with very intense discussions, meals, trips out here and there.

Adding to the mix of intelligent conversation and hard work was the multi cultural aspect of Tougaloo. Above are Debbie, Sonji half hidden, and Annie from Chicago. Sonji will have much better pictures and more details.

I think this was about the point when we had all painted yards and yards of fabric and were beginning the next step in Sonji’s process.

It was quite interesting; each of us immediately had a recognizable painting style. We were creating layer after layer of painted fabric. Each layer from the big stack related to the painting before it.

Rosalind, our teaching assistant, is backed by Rhonda’s rust dyed works just behind Rosalind and on the left. The bright multi colors to the right are all Sonji’s brought to give us some idea of what and how the process goes along.

Do not be fooled by Rosalind’s seemingly plain pink fabric; when done it was a gorgeous blue fabric with pink underlays.

I’ll be more on my game tomorrow and the next few days. In the last eight weeks I have made fourteen separate flights. The airlines are fourteen for fourteen. Every flight was either delayed, double booked, canceled, delayed for mechanical problems, delayed for lack of crew, or delayed by weather. In spite of the cost of fuel I think next time I will drive.

That means I plan to go back to Tougaloo next Art Colony. It will be an entirely different group of professors. I have no idea what I will sign up for. I do know that I wanted to get my hands in to every medium that was taught next week. I’m hoping they will extend the Art Colony beyond one week

I spent an afternoon the other day doing a lot of research on the Gees Bend women and quilts. Many of my references (below) require membership in the QuiltArt list. Some of the messages I wrote I will reprint here.

“October 6, 2002, please pick up or check the library for the November issue of Conde Nast’s House and Garden. Page 98 is titled Stitches in Time by Barbar Pollack. Shown in four color are Annie Mae Young an her indigo quilt. Also shown is a quilt by Mary Lee Bendolph. A Rachel Carey George quilt, 1938, that is the most subtle and lovely of them all. Netti Young’s Milky Way quilt, and the late Lillie Mae Pettway’s 6′x5′ quilt made in 1965. And last, but certainly not least, Loretta Pettway’s quilt made in 1960.”

My statement, seriously edited to placate the demographics of the QuiltArt list says in part, “Those purchases - - - gave the curators a wealth of opportunity - - - That body of work is unlikely to be reproduced by women in their seventies and eighties so the preservation is a mixed blessing.”

Gwen Magee countered, ” - - - gave the curators “a wealth of opportunity” to take incredibly unfair advantage of extremely poor people who had no idea that they were being “ripped off” and of what their work was worth.”

Naturally, the nature of the QuiltArt list created great uproar. Gwen’s integrity and credentials were despicably questioned. All I could do was give this response, “I want to commend her (Gwen) for the courage I lacked. I deleted a lot of sentences about my own feelings about the article I read.

My strongest emotions were those of anger, shame, and theft;”

Now, with the lawsuits beginning, those emotions of anger, shame, and theft are here again. They are tempered with hope. My wishes are to see the theft of copyright from these women for avarice and monetary gain righted. I certainly hope the attorneys for the women of Gees Bend see too it that punitive damages are requested in very high numbers.

Kyra Hicks blog, Black Threads, clearly examines the current situation. Please, go, read, scroll down, absorb all the unsavory details. Kyra writes of today’s news with dependable accuracy.

If you wish further information I’m adding a long list of hotlinks. Those from his.com are QuiltArt proprietals; you must be a member to access those hotlinks in their archives.
Gee’s Bend Quilters Claim Big Rip-Off
http://www.al.com/news/press-register/index.ssf?/base/news/1181035097167800.xml&coll=3

Tiny URL: http://tinyurl.com/2fho5j

And would you believe, Matt Arnett now has a blog (only one posting):
http://tinwood.blogspot.com/2007/06/attorneys-for-arnett-family-respond-to.html

July 3, 2007, addition:  Matt Arnett now has two postings to his blog (the most recent one is about their press conference the other day. http://tinwood.blogspot.com/

This is an interesting book review:
http://findarticles.com/p/articles/mi_qa4081/is_200603/ai_n17184448

> Gee’s Bend: A Fight for Rights - Ben Raines - June 15, 2007
> http://bama.live.advance.net/news/press-register/index.ssf?/base/news/1181899233121920.xml&coll=3&thispage=1
>
> Tiny URL: http://tinyurl.com/39f3kx

http://www.al.com/news/mobileregister/index.ssf?/base/news/1183022217278890.xml&coll=3&thispage=1#continue

http://www.youtube.com/watch?v=XdpOkLdtM50

<http://bama.live.advance.net/news/press-register/index.ssf?/base/news/1181899233121920.xml&coll=3&thispage=1>

http://www.orlandosentinel.com/features/home/orl-homesquiltart092902sep29,0,5340885.story?coll=orl-shoppinghg-headlinesforthe

http://www.ajc.com/search/content/news/stories/2007/06/17/geesbend0617a.html

http://lists103.his.com/mailman/private/quiltart/2002-December/047382.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043681.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043724.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043776.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043836.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043700.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043702.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043687.html

http://lists103.his.com/mailman/private/quiltart/2002-October/043710.html

As a postscript to this long post, consider the differences between using an image under the fair use clause of the United States Copyright Laws for the purpose of informing and educating the public and the fact that a judge and a court will be examining the use of the copyrighted images of the works of the women of Gees Bend for manufacturing items for the profit of others.

There is not much mystery when I label images correctly.  Amazing what one does when tired.

My apologies to all the people kind enough to comment.  I finally got the comments up on the blog today.  Sionwyn is a clear winner based on the time stamps.  Hello, my friend, it has been many years since we spoke.

I’ve sort of been down for the count.  My body has gone into rebellion mode; it is demanding inordinate amounts of sleep.

I’ve a nice group of unidentified objects.  They are from Longfellow Square in Portland, Maine.  Maybe by tomorrow I’ll get them sized and identified A, B, C, etc.  Then I’ll put them up for study and identification.

Let’s see how we can do on identification. The first person who correctly identifies this image will receive a small gift. Please leave your email using DOT and AT to avoid spam. I’ll contact you.

The Mothers - No More Tears

Make some time and take some time to watch this YouTube introduction to a film in progress. The complete documentary will be called A Trail of Thread.

The haunting music in the film clip is called Water in the Desert.

I live in the Sonoran Desert. I know many of the immigrants. I learned long ago that I cared little what language was spoken as I saw good people who worked hard for a living and loved and disciplined their children.

It is so pleasant to come home and review all the posts on Planet.textilethreads. So much is going on. The synergy is building. I am really enjoying all the images.  Many thanks to all the artists who are building such an exciting community.
I had planned on using my vacation to be more disciplined about posting. However, life gets in the way. Here’s a late nineteenth century advertising sign; apparently thelma is a southern name.

A southern first name, and an uncommon one, at that, is okay, now that I’ve lived with it for more than sixty years. My great great grandparents left Virginia in the early nineteenth century. They anticipated the need for the Emancipation Proclamation.

This is a sealing iron, probably 1930s to 1950s vintage. I bought it to go with the beeswax.   I haven’t tested it to see if it works.  It will come apart easily.  I can probably rebuild it if I need.  It’s a nice companion to my 1950s GE iron.

I have not had the time or self discipline to work yet. I have two more excursions this month.

Beeswax and collagraph are calling my name.  I’ve an embellisher that I want to spend time with.  I’m also going to do some more focused study on abstract design.  I think that being forced to commit to design principles in abstract will enhance my work all around.  Once I have the design principles I’ve been using for fifty years reinforced, refreshed, and updated, I hope to use that active information to jump start my work again..

I hope I will have found both the direction and the ability to close out more mundane reality and work.

Maybe I’ll be a better role model about posting to blogs on a regular basis. I’m off to a week long birthday party. House sitters and puddy tat caregivers and mail collectors have all been arranged. My house will be more inhabited than when I’m at home.

I’m taking my camera and my laptop. Here’s hoping that I remember to take photos of the interesting things I see.

Last week I missed an albizia tree in full bloom. It was in a truckstop of all places. It’s a tree that grows happily in both the Sonoran and Chihuahuan deserts. Here’s an image borrowed from Google to show you what I missed.

I’m off on a red eye flight this evening, cheap woman that I am. I like to leave some pocket money. If I find a nice gallery or a used book store I really need to be prepared.