Please go to:

thelmasmith.3rdward.com

The Vox Populi Award is based on public voting.  Take a look at a selection from the Left Turn Lane and vote for me.  Winning the Vox Populi Award will help me progress to the jurying process.  It’s a good thing to see art quilts in an artist’s venue.

Thank you for your support.  thelmasmith

Old fold to your left, new fold to your right.

The template I marked on the ironing board in permanent marker.  Makes the work go faster.

Another stack before refolding.  I find that working with the blues I have really few lights and a lot of mediums and darks.  You can see the edge of the scotch tape roll to the left as well as the cat bat.

It’s rather sensual handling and refolding fabric.  So many lovely textures and patterns.

I’ve learned that I need to completely fill the cubbyhole.  Anything less than full is a wonderful cat bed.  I can tell what was on the top of the piles in the arizona storage.  I am scraping off great quantities of cat hair.  The large roll of tape is doubled back on itself to form a self roller.  Speeds the process.  I keep both the tape and the cat bat at hand for my clothes as well.

These are the shipping tubes I mentioned yesterday.

Below are two views of a LOT of rubbermaid containers I need to sell. Again, pick up in Ventura, California.  Rubbermaid has a good life span unlike the Sterilite that break up from the UV, even indoors, within one year.  New Sterilite of similar size sell for $6US.  These were $10 new, now $5 each.

I also got all the Sunbrella measured and rerolled.  Here’s the manufacturer’s website.  Folding will damage the fabric so it must be shipped on rolls.  Shipping to be priced on an individual basis.

I have 54″ wide, cushion weight (light) natural sunbrella.

4.25 yards, whole piece, some spotting for $60 plus shipping.

5.5 yards of the same weight natural in perfect condition for $85.

There are 3.5 yards of a heavier teal (something like the floor color above) for $50.

There is an already cut bag in the teal approximately 8″ x 26″ x 20″ including the building diagram for $25.  It will need a 42″ zipper.

I have good, NEW, YKK Heavy Duty Marine Zippers – Separatin:

2 at 18″ long at $5 each pick up or $9 each post paid in the US.

2 at 72″ long at $10 each pick up or$15 each post paid in the US.

1 at 54″ long at $9 pick up or $14 post paid in the US.

1 at 42″ long at $8 pick up or $13 post paid in the US.

I also have a set of nickle plated sail grommets with the canvas cutter and the setting tools.  I need to get it out and see if it’s half inch or five eights.  Here’s an image from the net.  These were bought from Atlanta Thread.  The set includes a big chunk of oak to use as a work surface.  All are in one Rubbermaid box.  They are priced at approximately $150.  I will sell them for $80.  These are heavy; shipping is extra.

Spent the last week in Mount Vernon, Washington.  I went to attend my son and daughter in law’s yard rave.  Wonderful music, skillfully mixed, mashed?, overlaid, and selected was provided by Berto Ross.  He got a big thumbs up from me for taking The Stones You Can’t Always Get WhatYou Want with a heavy drumming back beat from another group of artists.  Lots of good music!

Deirdre,  the mother of my beautiful grandchildren, is an artist in her own right.  I’m sure if you search the link you will find some lovely images.

My daughter, Gabrielle Windsor, was at the rave. Check out her résumé and if you can provide her with a contact, please do.

Her two nearly grown sons did not travel with her.  Check here for lots more images.  She grew up in Port Townsend, Washington, and was one of the original participants in the Great Port Townsend Bay Kinetic Sculpture Race.

The Mediocrity Award  seemed the best way to reward the artistic efforts at the beginning in 1983.  It remains today.

Enough of old memories.  The Northwest always does that to me.  I am grateful for the years I spent there.  I learned a lot.  It’s nice to visit.  I don’t need to live there any more.

Actually, I need, spiritually and psychically, to live exactly where I am, here in Ventura.  I spent the end of last year and the beginning of this year searching the Pacific coast for just the exactly right small city to live in.

That I found an apartment with an ocean view is a bonus.  I came here willingly and will, no doubt, leave the same way.   No pictures today, the iPhoto says 82 remaining to import.

OH! ! ps,   I will be offering things for sale, here, on the blog.  For the first offering:

White Homespun Barley Cloth

This is 100% cotton; each thread will remind you of kite string.  It has one inch hems on the 92″ wide ends; one selvedge and one zig zagged edge.  It is seven and one eighth yards long.

7 ₁⁄₈  yards

 This  is a spongy drapery cotton.  It is normally used hung crosswize for seamless curtains or made up into drapes.  Homespun House no longer stocks the barley cloth weave; the monks cloth is the closest match.  Barley cloth, originally twice as wide, has more depth and texture.

Contact me if you would like to buy this.  I will scan a sample next week.  I will post the image.   Remember this was originally 110 inches wide and has been washed down to eliminate the shrinkage.  Price is $110 for the whole cut.  Shipping cost (FedEx Ground) will be added.  This is quite heavy; shipping may run as high as $35.  I will charge you my cost plus the cost of the container.   I do take paypal through my website; scroll down from the link.

Sorry for the long sales ramble.  That’s what happens without preplanning.  Keep in touch.  I have a second piece of barley cloth that is similar in size; I’ll have to find the card for that one.

I’m going to see if I can manage the self discipline to write on this blog at least once a week.

I have moved from the Sonoran Desert of Arizona to the Pacific Coast in Ventura, California.  Check out my view:

The days when we have strong sun the view is even better.  Some days we can see all the Channel Islands.

We are really struggling.  The fog comes sweeping in.  Forget little cat’s feet.  This is a theatrical curtain.  Summer comes in bits and spurts.  Some days we have six or eight hours of glorious sun.  Some days it’s cloudy.

I count myself very lucky to have such a wonderful view and such a mild climate.  The desert was a place of extremes.  Being ten blocks up the hill from the ocean is a dream of temperate consistency.

Since I moved from a three bedroom house with a three car garage to a one bedroom apartment with A parking space, the adjustment has been interesting.

I’ll try to begin posting quilt books and magazine collections for sale in the next month.  I would like any feedback and inquiries if you are looking for a specific book or magazine.

Brunswick Building Gallery

233 West Railroad Street

Missoula, Montana  59802

new oil stick paintings

Nancy N.Erickson

Four Day Exhibit 2008

Opening:  Thursday, October 2, 5 – 8 pm

                       First Friday, October 3, 1 – 8 pm

                         Saturday, October 4, 11am – 5 pm

                                Monday, October 6, close, 11am – 5pm

                              exhibition will be removed after 5pm

OK, First things first:  Nancy Erickson is one of my heroes.  She has subtly influenced my work for at least ten years.  Click on the image for a larger format.  If you are any where near Missoula, please, go visit the exhibition in my stead; send me thought images through the ozone.

Second:  I believe the address above to be a gallery I visited in Missoula in the mid nineties.  It was filled with art quilts before we were really thinking about them.  The trust of the exhibition  made white cotton gloves available in the absence of human monitors.

Third; What seems like a red herring.  Planet.textilethreads.com provides all sorts of international artists and calls to artists.  I underwrite this site as part of my contributions to my artistic community.

Fourth:  My web master and I have never bluntly or openly asked for voluntary donations to subsidize the continuing stream of information of this site.  I think it is time for each reader to contribute what they can.

Please visit my website and scroll down to the paypal button.  It is grouped with the purchase of the European Edition of Changing the World One Thread at a Time.  You need not purchase the catalog.  You have full decision making power in the amount you wish to donate.

Fifth:  If there is some wonderful philanthropist out there in the audience, I would love to own another of Nancy Erickson’s works.  I have a fondness for her polar bears.  thank you, thelma

Kate Lenkowsky and I met at the International Quilt Study Center in Lincoln, Nebraska, in 2003. Lots of star power quilters to interview. The result is stunning.

This arrived by courier this afternoon. I have not had time to study more than the Table of Contents. The last quarter of the book, A Guide for Buyers & Collectors, is information that has never, to my knowledge, been put in one place. The information is extensive. Lenkowsky covers care, insuring and appraising as well as a long list of other topics in the guide.

Contemporary Quilt Art, An Introduction and Guide, by Kate Lenkowsky is published by
Indiana University Press. Extensive author’s commentary accompanies the large color photographs. The quality of the printing and binding are lovely. IBSN 978-0-253-35124-1

I was at the University of Arizona Museum of Art today. This is from a new installation by
El Anatsui.

These works are copyright of the artist and are shown here under the doctrine of fair use for educational purposes. The work above uses the rims of screw on caps of cheap liquor that the anglo world has exported to Africa for the last several centuries. It references that societal problem, the problem of garbage, and also the West African textile tradition.

Not to mention that it is lusciously gorgeous and cries out to be carressed.

More societal commentary. Aluminum printing plates used in their most maleable form to comment on waste and waste paper in particular.

If you are traveling or happen to be around Tucson, Arizona, do yourself a favor and go to the University of Arizona. There is the Museum, two galleries, the Center for Creative Photography, the Flanrau Observatory, the Arizona Historical museum and much more.

This is one of the first semi-successful prints from one of the linoleum blocks I’ve carved. My husband stole the print of the cat laying in front of the full moon. The old cedar tree taught me that it is much more sensible to carve the object. Carving away the background even when you leave a border to support the brayer requires much more skill than I have right now. I’ll have to actually get my printing done on good paper instead of just testing on typing sheet sorts of samples.

Last Wednesday I struggled with intaglio wiping the large, multi color, chard collagraph. I failed miserably. Then printed it again after more wiping. It was only a minor failure.

I cleaned the plate. Printed a blind emboss from it Wednesday and it is only a minor failure. The blind emboss, done Thursday, from the bamboo was good with only minor creasing. These are a couple of details from the blind emboss from that plate.

However, the real success on Thursday is a bunch of small square and rectangular offcuts from the big bamboo plate. I did one and then rearranged the modules.

I did five consecutively with increasing pressure. The last one was two half inch foam blankets and then thin, thick, and medium regular blankets. The blind emboss combined with the half sheet (smaller) of paper meant that I could put on gonzo pressure and still not break the paper.

Pretty rewarding to see the progression of the five. I forgot to take the camera with me on Thursday. Now I’ve got my confidence up just a bit I think I will ink each module with a different color, wipe, and print. I’ve also taxed my body mightily even though the gearing on the big press is pretty good. My shoulders and my back are telling me I ran a LOT through that press last week.

I have fallen way behind the pace of the work and the assignments. I don’t know how the kids who are taking twelve to sixteen credits are handling the volume of work.

The big plates are beautiful but a real headache. The press is thirty years old and has experienced all that teen aged students can imagine in it’s life. The bed will take a fifty inch long piece of paper; the roller is about thirty inches long.

I guess I should spend the weekend reading the text books. However, the two women, with great experience, who come in and work on lab days are very kind and teach me a lot. I’ve been delivering pomegranites for rewards.

I like the multi cultural and multi generational aspects of the class a lot. I guess it is time for me to become a bit more social person again.