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	<title>thelmasmith &#187; design inspiration</title>
	<atom:link href="http://www.thelmasmith.com/blog/category/design-inspiration/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.thelmasmith.com/blog</link>
	<description>an artist&#039;s cloud of thoughts</description>
	<lastBuildDate>Wed, 28 Jul 2010 20:30:07 +0000</lastBuildDate>
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		<title>Vox Populi</title>
		<link>http://www.thelmasmith.com/blog/2010/07/28/vox-populi/</link>
		<comments>http://www.thelmasmith.com/blog/2010/07/28/vox-populi/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 20:30:07 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[ArtScene]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[artist's workroom]]></category>
		<category><![CDATA[call to artists]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[exhibitions]]></category>
		<category><![CDATA[fabrics]]></category>
		<category><![CDATA[fancy fabrics]]></category>
		<category><![CDATA[hand painted fabric]]></category>
		<category><![CDATA[image of self]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[international artists]]></category>

		<guid isPermaLink="false">http://www.thelmasmith.com/blog/?p=337</guid>
		<description><![CDATA[I&#8217;ve an entry active at 3rd Ward in New York City.
Please go to:
 thelmasmith.3rdward.com
The Vox Populi Award is based on  public voting.  Take a look at a selection from the Left Turn Lane and  vote for me.  Winning the Vox Populi Award will help me progress to the  jurying process.  It&#8217;s a [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve an entry active at 3rd Ward in New York City.</p>
<p>Please go to:</p>
<p><a href="http://thelmasmith.3rdward.com/" target="_blank"> thelmasmith.3rdward.com</a></p>
<p>The Vox Populi Award is based on  public voting.  Take a look at a selection from the Left Turn Lane and  vote for me.  Winning the Vox Populi Award will help me progress to the  jurying process.  It&#8217;s a good thing to see art quilts in an artist&#8217;s  venue.</p>
<p>Thank you for your support.  thelmasmith</p>
]]></content:encoded>
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		<item>
		<title>Louise Bourgeois Dies</title>
		<link>http://www.thelmasmith.com/blog/2010/06/04/louise-bourgeois-dies/</link>
		<comments>http://www.thelmasmith.com/blog/2010/06/04/louise-bourgeois-dies/#comments</comments>
		<pubDate>Fri, 04 Jun 2010 17:16:51 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[Copyright + Fair Use]]></category>
		<category><![CDATA[Women Artists]]></category>
		<category><![CDATA[american history]]></category>
		<category><![CDATA[critical thinking]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[exhibitions]]></category>
		<category><![CDATA[international artists]]></category>
		<category><![CDATA[other artists]]></category>
		<category><![CDATA[public art]]></category>
		<category><![CDATA[societal commentary]]></category>
		<category><![CDATA[state of the world]]></category>

		<guid isPermaLink="false">http://www.thelmasmith.com/blog/?p=326</guid>
		<description><![CDATA[This obituary is reposted from the United Kindom Guardian as a matter of fair use according to the copyright laws.  It is provided in the spirit of education.






















US sculptor Louise Bourgeois dies aged 98












French-born American sculptor Louise  Bourgeois has died in New York, at the age of 98.









Bourgeois suffered a heart attack two days [...]]]></description>
			<content:encoded><![CDATA[<p>This obituary is reposted from the United Kindom Guardian as a matter of fair use according to the copyright laws.  It is provided in the spirit of education.</p>
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<h1>US sculptor Louise Bourgeois dies aged 98</h1>
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<p style="text-align: left;"><strong>French-born American sculptor Louise  Bourgeois has died in New York, at the age of 98.</strong></p>
<p style="text-align: left;">
<p><img src="http://newsimg.bbc.co.uk/media/images/47962000/jpg/_47962861_009421278-1.jpg" border="0" alt="File photo from 1990 of Louis Bourgeois" hspace="0" vspace="0" width="226" height="170" /></p>
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<p>Bourgeois suffered a heart attack two days ago</p>
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<p>Based in New  York since 1938, Bourgeois gained fame late in her long career and kept  working</p>
<p>to the end of her life.  Her giant spider sculptures have  been exhibited around the world and</p>
<p>earned her the nickname of  Spiderwoman.  Her abstract explorations of themes such as birth,</p>
<p>sexuality and death made her one of the world&#8217;s most influential  contemporary artists.</p>
<p><img src="http://newsimg.bbc.co.uk/media/images/47962000/jpg/_47962863_004580602-1.jpg" border="0" alt="French-born artist Louise Bourgeois' sculpture of a giant spider   outside Tate Modern in London in October 2007" hspace="0" vspace="0" width="226" height="170" /><br />
Although she had long been regarded by her  contemporaries as one of the world&#8217;s most</p>
<p>important artists, it was not  until her 70s that she began to attract a wider audience.</p>
<p>Her  spider sculptures &#8211; some of which are three storeys high &#8211; have been  exhibited</p>
<p>around the world, including the Tate Modern in London.</p>
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<p>In a statement, the gallery said: &#8220;We were deeply saddened to hear of  the death of Louise</p>
<p>Bourgeois this weekend. Always at the forefront of  new developments in art, she pursued</p>
<p>a wholly personal path and was  powerfully inventive, working in dialogue with the</p>
<p>major avant-garde  movements of her time.</p>
<p>&#8220;Her death is a great loss.&#8221;</p>
<p>Bourgeois&#8217;  vast installation, I Do, I Undo, I Redo, was the first commission in  The</p>
<p>Unilever Series for Tate Modern.  Her sculpture of a giant  spider, Maman, was part</p>
<p>of the Unilever Series at the gallery which  greeted the very first visitors in 2000.</p>
<p>Ann Coxon, assistant  curator at Tate Modern, said: &#8220;Apart from its overwhelming</p>
<p>physical  presence, the interesting thing is that Louise associated the spider  with</p>
<p>her mother &#8211; a tapestry restorer &#8211; a very industrious woman always  spinning or weaving.</p>
<p>&#8220;So for Louise, the spider is a very  positive feminist statement.&#8221;</p>
<p><strong>&#8216;Enormously significant&#8217;</strong><br />
The  artist said her main inspiration came from her childhood in France,  where her father</p>
<p>had an affair with her governess, which her mother  refused to acknowledge.</p>
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<div>Bourgeois&#8217; Three Horizontals was shown at the  Pompidou Centre in 2008</div>
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<p>She also used her own clothes as the basis for a series of bronzes.  Artist   Richard Wentworth,</p>
<p>from the Royal College of Art, called the sculptor  &#8220;enormously significant&#8221;  He added: &#8220;She</p>
<p>connected the  intensely  private act of being an artist with  the intensely public act of  developing</p>
<p>a worldwide audience.  &#8220;To have worked constantly for  so long and so publicly &#8211; is in a field of</p>
<p>its own. There are very few  female artists who make it to later life and it&#8217;s very tough to be a</p>
<p>woman artist or sculptor.&#8221;</p>
<p><img src="http://newsimg.bbc.co.uk/media/images/47968000/jpg/_47968301_009422389-1.jpg" border="0" alt="Three Horizontals" hspace="0" vspace="0" width="226" height="170" /></p>
<p>Conceptual artist Jenny Holzer said  she &#8220;orbited Bourgeois&#8221; and that  &#8220;my artist friends and</p>
<p>I are crying  today&#8221;.</p>
<p>French President Nicolas Sarkozy also paid tribute to  Bourgeois, calling her &#8220;a very great artist&#8221;</p>
<p>who &#8220;never stopped creating  and renewing herself in her art&#8221;.  Bourgeois had been able to  &#8220;reach</p>
<p>a higher truth, rich in its contradictions, avoiding the trap of  the latest trends,&#8221; he added.</p>
<p>French Culture Minister Frederic  Mitterrand spoke of his sadness, saying in a statement</p>
<p>that the world  had lost &#8220;a great artist, indomitable and universal&#8221;.</td>
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		<title>Joys Of Moving &amp; Unpacking</title>
		<link>http://www.thelmasmith.com/blog/2010/05/09/joys-of-moving-unpacking/</link>
		<comments>http://www.thelmasmith.com/blog/2010/05/09/joys-of-moving-unpacking/#comments</comments>
		<pubDate>Sun, 09 May 2010 19:09:56 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[FabricSales]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[art supplies]]></category>
		<category><![CDATA[artist's workroom]]></category>
		<category><![CDATA[cat]]></category>
		<category><![CDATA[cotton]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[fabrics]]></category>
		<category><![CDATA[fancy fabrics]]></category>
		<category><![CDATA[hand dyed fabric]]></category>
		<category><![CDATA[spring cleaning]]></category>
		<category><![CDATA[textile]]></category>

		<guid isPermaLink="false">http://www.thelmasmith.com/blog/?p=318</guid>
		<description><![CDATA[As one of the last few days I&#8217;ll be alone in the house I decided to begin tidying and refolding the fabric stash.  It was intimidating.  Not as bad actually doing the work.  The old shelves were about ten inches deep.  The new cubby hole wall unit from IKEA is fifteen inches deep.  I&#8217;m quite [...]]]></description>
			<content:encoded><![CDATA[<p>As one of the last few days I&#8217;ll be alone in the house I decided to begin tidying and refolding the fabric stash.  It was intimidating.  Not as bad actually doing the work.  The old shelves were about ten inches deep.  The new cubby hole wall unit from IKEA is fifteen inches deep.  I&#8217;m quite pleased with it.  The quality belies the price.</p>
<p><a href="http://www.thelmasmith.com/blog/wp-content/uploads/2010/05/IroningBoardFoldingStation.png"><img class="aligncenter size-medium wp-image-319" title="IroningBoardFoldingStation" src="http://www.thelmasmith.com/blog/wp-content/uploads/2010/05/IroningBoardFoldingStation-300x126.png" alt="" width="300" height="126" /></a></p>
<p>Old fold to your left, new fold to your right.</p>
<p><a href="http://www.thelmasmith.com/blog/wp-content/uploads/2010/05/IroningBoardFoldingTemplate.png"><img class="aligncenter size-medium wp-image-320" title="IroningBoardFoldingTemplate" src="http://www.thelmasmith.com/blog/wp-content/uploads/2010/05/IroningBoardFoldingTemplate-300x212.png" alt="" width="300" height="212" /></a></p>
<p>The template I marked on the ironing board in permanent marker.  Makes the work go faster.</p>
<p><a href="http://www.thelmasmith.com/blog/wp-content/uploads/2010/05/Lights.png"><img class="aligncenter size-medium wp-image-321" title="Lights" src="http://www.thelmasmith.com/blog/wp-content/uploads/2010/05/Lights-300x225.png" alt="" width="300" height="225" /></a></p>
<p>Another stack before refolding.  I find that working with the blues I have really few lights and a lot of mediums and darks.  You can see the edge of the scotch tape roll to the left as well as the cat bat.</p>
<p>It&#8217;s rather sensual handling and refolding fabric.  So many lovely textures and patterns.</p>
<p>I&#8217;ve learned that I need to completely fill the cubbyhole.  Anything less than full is a wonderful cat bed.  I can tell what was on the top of the piles in the arizona storage.  I am scraping off great quantities of cat hair.  The large roll of tape is doubled back on itself to form a self roller.  Speeds the process.  I keep both the tape and the cat bat at hand for my clothes as well.</p>
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		<title>SAN BUENAVENTURA, California</title>
		<link>http://www.thelmasmith.com/blog/2009/11/21/san-buenaventura-california/</link>
		<comments>http://www.thelmasmith.com/blog/2009/11/21/san-buenaventura-california/#comments</comments>
		<pubDate>Sat, 21 Nov 2009 18:13:19 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[California]]></category>
		<category><![CDATA[Ocean]]></category>
		<category><![CDATA[Pacific]]></category>
		<category><![CDATA[Women Artists]]></category>
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		<category><![CDATA[sewing machines]]></category>
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		<category><![CDATA[state of the world]]></category>
		<category><![CDATA[the herd of cats]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.thelmasmith.com/blog/?p=292</guid>
		<description><![CDATA[Commonly known as Ventura.  This is now my home.  I&#8217;ve a new version of WordPress.  I am having trouble figuring out how to send you images.  So, let&#8217;s do it semantically.
I left the Sonoran Desert last spring after twelve years year round.  The climate is extreme, the land is beautiful, [...]]]></description>
			<content:encoded><![CDATA[<p>Commonly known as Ventura.  This is now my home.  I&#8217;ve a new version of WordPress.  I am having trouble figuring out how to send you images.  So, let&#8217;s do it semantically.</p>
<p>I left the Sonoran Desert last spring after twelve years year round.  The climate is extreme, the land is beautiful, and the situation was very good to me and to my husband.</p>
<p>About a year and a half ago I formed a plan for one year, three years, and twenty years.  I accomplished the one and three year plan is sixteen months.  Age indeterminant has been accomplished.  I&#8217;ve moved back to the ocean as I had to come back to the water.</p>
<p>I&#8217;m about eight blocks from downtown Ventura.  I can see the Crowne Plaza Hotel at the end of California Street.  I can see the pier that was a working wharf fifty to one hundred years ago.</p>
<p>The view of the town, which was built between about 1860(?) and 1920, most often looks as lovely and peaceful as an oldfashioned christmas card.  The old gothic church is just two blocks down the hill.  I still have not made it down there for meditation.</p>
<p>I can see the ocean from my deck.  It is an ongoing vision of solace.  I don&#8217;t get down to the beach as often as maybe I should.  Looking out the door, sitting on the deck, looking into the floor mirror from the kitchen even gives me a view of the sea.</p>
<p>In August I heard an interview on Bookworm on PBS.  An author was speaking about islands and oceans.  He said that there is something very expansive about facing open water; psychically and psychologically it teaches your body and your soul that there are no limits.</p>
<p>amen</p>
<p>Thanks to my good friend in Montreal all vestiges of the hack attack have been removed.  It is a wonderful thing to have friends you have never seen or hugged.  Thank you, thank you! ! ! !</p>
<p>I&#8217;ve discovered the media file for WordPress.Â  When I get figured out how to post my own photos I&#8217;ll do that.Â  For this beautiful Saturday morning with a few clouds, a silvery, glistening ocean and 69ÂºF, have a wonderful weekend.</p>
<p>OH, and a quick ps.Â  My daughter just phoned.Â  I had loaned her my Singer 99K about twenty years ago.Â  She wanted to know what disposition as I told her it was not hers to get rid of.Â  It&#8217;s being placed in the trunk of my roadster later today.</p>
<p>Did you know that sewing machines are like cats?Â  All are welcome and we don&#8217;t count as all are self sufficient.</p>
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		<title>Barley Cloth</title>
		<link>http://www.thelmasmith.com/blog/2009/08/24/barley-cloth/</link>
		<comments>http://www.thelmasmith.com/blog/2009/08/24/barley-cloth/#comments</comments>
		<pubDate>Mon, 24 Aug 2009 23:41:53 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[California]]></category>
		<category><![CDATA[FabricSales]]></category>
		<category><![CDATA[PayPal]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[artist's workroom]]></category>
		<category><![CDATA[cotton]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[hand dyed fabric]]></category>
		<category><![CDATA[hand painted fabric]]></category>
		<category><![CDATA[textile]]></category>

		<guid isPermaLink="false">http://www.thelmasmith.com/blog/2009/08/24/barley-cloth/</guid>
		<description><![CDATA[I found a two foot cut of Barley Cloth in the box of whites to dye.Â  Still have not found the card for the other piece.Â  I expect it is closer to ten yards.Â  I&#8217;ll weigh them to let you know.Â  Here&#8217;s the image of the weave.

Hope this helps.Â  Next up, once I find the [...]]]></description>
			<content:encoded><![CDATA[<p>I found a two foot cut of Barley Cloth in the box of whites to dye.Â  Still have not found the card for the other piece.Â  I expect it is closer to ten yards.Â  I&#8217;ll weigh them to let you know.Â  Here&#8217;s the image of the weave.</p>
<p><a href="http://www.thelmasmith.com/blog/wp-content/uploads/2009/08/barleycloth.png" title="barleycloth.png"><img src="http://www.thelmasmith.com/blog/wp-content/uploads/2009/08/barleycloth.png" alt="barleycloth.png" /></a></p>
<p>Hope this helps.Â  Next up, once I find the post office information, will be one year and/or multi year sets of magazines that will include free shipping.</p>
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		<title>Home Again, jiggety jog</title>
		<link>http://www.thelmasmith.com/blog/2009/08/21/home-again-jiggety-jog/</link>
		<comments>http://www.thelmasmith.com/blog/2009/08/21/home-again-jiggety-jog/#comments</comments>
		<pubDate>Fri, 21 Aug 2009 18:54:45 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[California]]></category>
		<category><![CDATA[FabricSales]]></category>
		<category><![CDATA[PayPal]]></category>
		<category><![CDATA[Ventura]]></category>
		<category><![CDATA[Women Artists]]></category>
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		<category><![CDATA[cotton]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[fabrics]]></category>
		<category><![CDATA[fancy fabrics]]></category>
		<category><![CDATA[international artists]]></category>
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		<guid isPermaLink="false">http://www.thelmasmith.com/blog/2009/08/21/home-again-jiggety-jog/</guid>
		<description><![CDATA[In spite of good intentions to write weekly, I&#8217;m about ten days out.
Spent the last week in Mount Vernon, Washington.Â  I went to attend my son and daughter in law&#8217;s yard rave.Â  Wonderful music, skillfully mixed, mashed?, overlaid, and selected was provided by Berto Ross.Â  He got a big thumbs up from me for taking [...]]]></description>
			<content:encoded><![CDATA[<p>In spite of good intentions to write weekly, I&#8217;m about ten days out.</p>
<p>Spent the last week in Mount Vernon, Washington.Â  I went to attend my son and daughter in law&#8217;s yard rave.Â  Wonderful music, skillfully mixed, mashed?, overlaid, and selected was provided by Berto Ross.Â  He got a big thumbs up from me for taking <strong>The Stones </strong><em>You Can&#8217;t Always Get WhatYou Want</em> with a heavy drumming back beat from another group of artists.Â  Lots of good music!</p>
<p><a href="http://www.facebook.com/people/Deirdre-Czoberek/1061376833">Deirdre,</a>Â  the mother of my beautiful grandchildren, is an artist in her own right.Â  I&#8217;m sure if you search the link you will find some lovely images.</p>
<p>My daughter, <a href="http://www.linkedin.com/in/gabriellewindsor">Gabrielle Windsor</a>, was at the rave. Check out her rÃ©sumÃ© and if you can provide her with a contact, please do.</p>
<p>Her two nearly grown sons did not travel with her.Â  Check <a href="http://www.facebook.com/gabriellewindsor">here</a> for lots more images.Â  She grew up in Port Townsend, Washington, and was one of the original participants in the <a href="http://www.ptkineticrace.org/">Great Port Townsend Bay Kinetic Sculpture Race</a>.</p>
<p>The <a href="http://www.flickr.com/photos/27047646@N00/2930658008/">Mediocrity Award</a>Â  seemed the best way to reward the artistic efforts at the beginning in 1983.Â  It remains today.</p>
<p>Enough of old memories.Â  The Northwest always does that to me.Â  I am grateful for the years I spent there.Â  I learned a lot.Â  It&#8217;s nice to visit.Â  I don&#8217;t need to live there any more.</p>
<p>Actually, I need, spiritually and psychically, to live exactly where I am, here in Ventura.Â  I spent the end of last year and the beginning of this year searching the Pacific coast for just the exactly right small city to live in.</p>
<p>That I found an apartment with an ocean view is a bonus.Â  I came here willingly and will, no doubt, leave the same way. Â  No pictures today, the iPhoto says 82 remaining to import.</p>
<p>OH! ! ps, Â  I will be offering things for sale, here, on the blog.Â  For the first offering:</p>
<p align="center">White Homespun Barley Cloth</p>
<p align="left">This is 100% cotton; each thread will remind you of kite string.Â  It has one inch hems on the 92&#8243; wide ends; one selvedge and one zig zagged edge.Â  It is seven and one eighth yards long.</p>
<p align="center">7 â‚â„â‚ˆÂ  yards</p>
<p align="left">Â ThisÂ  is a spongy drapery cotton.Â  It is normally used hung crosswize for seamless curtains or made up into drapes.Â  <a href="http://www.homespunfabrics.com/drapery-fabrics.aspx">Homespun House</a> no longer stocks the barley cloth weave; the <a href="http://www.homespunfabrics.com/cotton-fabrics.aspx#homespun">monks cloth</a> is the closest match.Â  Barley cloth, originally twice as wide, has more depth and texture.</p>
<p align="left">Contact me if you would like to buy this.Â  I will scan a sample next week.Â  I will post the image. Â  Remember this was originally 110 inches wide and has been washed down to eliminate the shrinkage.Â  Price is $110 for the whole cut.Â  Shipping cost (FedEx Ground) will be added.Â  This is quite heavy; shipping may run as high as $35.Â  I will charge you my cost plus the cost of the container. Â  I do take <a href="http://www.thelmasmith.com/index.php?option=com_content&amp;task=view&amp;id=35&amp;Itemid=48">paypal </a>through my website; scroll down from the link.</p>
<p align="left">Sorry for the long sales ramble.Â  That&#8217;s what happens without preplanning.Â  Keep in touch.Â  I have a second piece of barley cloth that is similar in size; I&#8217;ll have to find the card for that one.</p>
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		<title>Desert Icons</title>
		<link>http://www.thelmasmith.com/blog/2009/03/04/desert-icons/</link>
		<comments>http://www.thelmasmith.com/blog/2009/03/04/desert-icons/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 20:19:10 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[american history]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[fabrics]]></category>
		<category><![CDATA[native american artists]]></category>
		<category><![CDATA[pattern work]]></category>

		<guid isPermaLink="false">http://www.thelmasmith.com/blog/2009/03/04/desert-icons/</guid>
		<description><![CDATA[Recently, a colleague asked me if I could republish some of my Sonoran Desert landscape commissions.Â  Let&#8217;s see what I can find on this disk I dugout.

]]></description>
			<content:encoded><![CDATA[<p>Recently, a colleague asked me if I could republish some of my Sonoran Desert landscape commissions.Â  Let&#8217;s see what I can find on this disk I dugout.</p>
<p><a href="http://www.thelmasmith.com/blog/wp-content/uploads/2009/03/deserticonscymk.jpg" title="deserticonscymk.jpg"><img src="http://www.thelmasmith.com/blog/wp-content/uploads/2009/03/deserticonscymk.thumbnail.jpg" alt="deserticonscymk.jpg" /></a></p>
]]></content:encoded>
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		<title>Call To Artists &#8211; Tubac Arizona Winter Invitational</title>
		<link>http://www.thelmasmith.com/blog/2008/11/01/call-to-artists-tubac-arizona-winter-invitational/</link>
		<comments>http://www.thelmasmith.com/blog/2008/11/01/call-to-artists-tubac-arizona-winter-invitational/#comments</comments>
		<pubDate>Sat, 01 Nov 2008 19:05:04 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[Women Artists]]></category>
		<category><![CDATA[acrylic paints]]></category>
		<category><![CDATA[art supplies]]></category>
		<category><![CDATA[artist's workroom]]></category>
		<category><![CDATA[call to artists]]></category>
		<category><![CDATA[commissions]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[exhibitions]]></category>
		<category><![CDATA[international artists]]></category>
		<category><![CDATA[mixed media]]></category>
		<category><![CDATA[other artists]]></category>
		<category><![CDATA[print making]]></category>
		<category><![CDATA[societal commentary]]></category>
		<category><![CDATA[textile]]></category>
		<category><![CDATA[tools]]></category>

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		<description><![CDATA[&#62;
~ Manos Gallery~
Tubac Arizona Winter Invitational
Open to all media
Feb 28 &#8211; March 15Â Â  2009
Contact Person: Mary Helen Watson 520-398 8144 manosgallery@msn.com
website manosgallery.com
Juror:Â  Michaelin Otis LWS, TNWS, NPWS avalonarts.com
CALENDAR: Please keep this Prospectus for reference until the show closes.
ENTRIES and Fees MUST BE POSTMARKED NO LATER THAN Nov 30, 2008.
Deadline for emailing entry images (digital) Nov [...]]]></description>
			<content:encoded><![CDATA[<p>&gt;</p>
<p align="center">~ Manos Gallery~<br />
Tubac Arizona Winter Invitational<br />
Open to all media</p>
<p>Feb 28 &#8211; March 15Â Â  2009<br />
Contact Person: Mary Helen Watson 520-398 8144 manosgallery@msn.com<br />
website manosgallery.com</p>
<p>Juror:Â  Michaelin Otis LWS, TNWS, NPWS avalonarts.com</p>
<p>CALENDAR: Please keep this Prospectus for reference until the show closes.</p>
<p>ENTRIES and Fees MUST BE POSTMARKED NO LATER THAN Nov 30, 2008.</p>
<p>Deadline for emailing entry images (digital) Nov 30, 2008</p>
<p>Acceptance notices will be sent out by Dec 15, 2008</p>
<p>Opening Reception: Feb 28Â  2009â€” 2 to 4 PM</p>
<p>Last Day of Show: Sunday, March 16Â  2009</p>
<p>Return of Unsold Work: Monday, March 17, 2009â€” Prepaid shipping labels required or d</p>
<p>All work must be original, created within the last 2 years and not shown previously in<br />
a juried show in Tubac or surrounding area, including Tucson and Phoenix. Frames can be metal or wood. Wood frames must be simple, classic, and 2 1/3â€ or less in width. Manos reserves the right to refuse anything too ornate. Plexiglas is required if needed. Mat color should be white or off-white. Colored liner mat (fillet) is OK.Â  No frame larger than 42â€ on either side.<br />
All artwork must be for sale.</p>
<p>IDENTIFICATION LABELS: Face back of artwork &amp; place in lower left hand corner. Be sure the information on Entry #1 is identical to that on the Title #1 entry form and that<br />
Entry #2 and Title #2 match also. We suggest you photocopy these in order to keep your<br />
prospectus information intact.</p>
<p>Entry #1Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  Entry #2</p>
<p>Artist _____________________________ Artist ______________________________</p>
<p>Title ______________________________ Title ______________________________</p>
<p>Medium ___________________________ Medium_____________________________</p>
<p>Size ________ Price ___________ Size __________Price __________</p>
<p>Presentation:Â  Work will be rejected from the jury process: any artwork not presented<br />
in a professional manner, appropriate for exhibitingÂ  or not accurately represented by slide or image. Frame carefully, making sure frames are in pristine condition with tight corners and wire that is fastened about 1/3 the height down and has 2 to 3-inch flexibility. Mats must be clean and well cut. Plexi should be damage free and have no foreign matter (i.e.. pet hair, bugs, etc.) underneath. If this sounds daunting, please consult a professional framer.Â  Manos requests that each entry have a brief bio fastened securely to the back.</p>
<p>Entry Fee: Non-refundable $35 for the first entry and $20 for the second entry, with a maximum of 2 entries for $55 due with entry. Entries postmarked no later than Nov 30 2008. Mail to</p>
<p>MH Watson</p>
<p>747 Via Vanilla</p>
<p>Rio Rico, AZ 85748</p>
<p>MAKE CHECKS PAYABLE TO Manos.<br />
Shipping instructions sent with acceptance card.</p>
<p>Bios: e-Mail a 1-page bio to manosgallery@msn.com.</p>
<p>Juror: The Juror of Selection and Awards will be: Michaelin Otis of Green Valley, AZ.<br />
Check her website at avalonartsgallery.com</p>
<p>Commissions and Awards: A 40% commission from each sale will go to Manos<br />
Please price your paintings accordingly. Cash awards will be given including<br />
the $500 Best of ShowÂ  Jurors Recognition $100 and 3 $50 Awards of Merit.</p>
<p>Sales and Shipping Procedure: Sales will be handled by the Manos Staff. Payment for sales to artists will be made by April 1.Â  All shipping of sold work will be handled by Manos Gallery.</p>
<p>Security and Gallery Features: The gallery carries insurance on these paintings (up to<br />
$150,000 collectively) during the time they are in the gallery. Humidity, temperature, and<br />
lighting are carefully controlled to assure paintings are protected and displayed in the best<br />
professional manner.</p>
<p>Opening Reception and Show Specifics:<br />
Saturday, Feb 28 2009, 2 to 4 PM is our opening reception.<br />
Awards will be presented at that time.<br />
The show will remain open daily from 10 AM to 5 PM.<br />
Subject Matter: Open</p>
<p>Pg 3</p>
<p>Watercolor Invitational ENTRY FORM</p>
<p>Mail to ManosÂ Â  747 via VanillaÂ Â  Rio Rico AZ, Arizona, 85648,<br />
Postmarked no later than Nov 30, 2008. Include a check payable to Manos for $35 for one entry or $55 for two entries. Photocopies are acceptable if you do not want to lose the<br />
Information on the back of the form.</p>
<p>Artist (print)</p>
<p>______________________________(Sign*)_______________________________</p>
<p>*I confirm that the work submitted is my own unique, original creation. It is not copied or<br />
derived, in whole or in major significant part, from the work of another artist and/or photographer without his/her written permission. I also understand that, although all possible care will be afforded each entry, Manos Gallery will not assume responsibility for damage or loss.</p>
<p>Address ______________________________________________________Zip _______</p>
<p>Phone _______________________ Email _____________________________________</p>
<p>TITLE#1_____________________________________ Frame Size _________________</p>
<p>Medium _______________________________________Price _____________________</p>
<p>TITLE #2 _____________________________________Frame Size ________________</p>
<p>Medium _______________________________________ Price ____________________</p>
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		<title>Nancy Erickson</title>
		<link>http://www.thelmasmith.com/blog/2008/09/26/nancy-erickson/</link>
		<comments>http://www.thelmasmith.com/blog/2008/09/26/nancy-erickson/#comments</comments>
		<pubDate>Fri, 26 Sep 2008 16:16:31 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[Copyright + Fair Use]]></category>
		<category><![CDATA[Nancy Erickson]]></category>
		<category><![CDATA[Women Artists]]></category>
		<category><![CDATA[Women's Studies]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[art supplies]]></category>
		<category><![CDATA[artist's workroom]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[exhibitions]]></category>
		<category><![CDATA[fabrics]]></category>
		<category><![CDATA[image of self]]></category>
		<category><![CDATA[international artists]]></category>
		<category><![CDATA[mixed media]]></category>
		<category><![CDATA[oil paints]]></category>
		<category><![CDATA[other artists]]></category>
		<category><![CDATA[polar bears]]></category>
		<category><![CDATA[state of the world]]></category>
		<category><![CDATA[textile]]></category>

		<guid isPermaLink="false">http://www.thelmasmith.com/blog/2008/09/26/nancy-erickson/</guid>
		<description><![CDATA[
&#160;
Brunswick Building Gallery
233 West Railroad Street
Missoula, MontanaÂ  59802
&#160;
new oil stick paintings
Nancy N.Erickson
&#160;
Four Day Exhibit 2008
&#160;
Opening:Â                  Thursday, October 2, 5 &#8211; 8 pm
Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â           Â Â  First Friday, October 3, 1 &#8211; 8 [...]]]></description>
			<content:encoded><![CDATA[<p align="center"><a href="http://www.thelmasmith.com/blog/wp-content/uploads/2008/09/nancyericksonbears.jpg" title="nancyericksonbears.jpg"><img src="http://www.thelmasmith.com/blog/wp-content/uploads/2008/09/nancyericksonbears.thumbnail.jpg" alt="nancyericksonbears.jpg" /></a></p>
<p align="center">&nbsp;</p>
<p align="center"><strong>Brunswick Building Gallery</strong></p>
<p align="center">233 West Railroad Street</p>
<p align="center">Missoula, MontanaÂ  59802</p>
<p align="center">&nbsp;</p>
<p align="center">new oil stick paintings</p>
<p align="center"><strong>Nancy N.Erickson</strong></p>
<p align="center">&nbsp;</p>
<p align="center">Four Day Exhibit 2008</p>
<p align="center">&nbsp;</p>
<p align="center">Opening:Â                  Thursday, October 2, 5 &#8211; 8 pm</p>
<p align="center">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â           Â Â  First Friday, October 3, 1 &#8211; 8 pm</p>
<p align="center">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â         Â  Saturday, October 4, 11am &#8211; 5 pm</p>
<p align="center">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  Monday, October 6, close, 11am &#8211; 5pm</p>
<p align="center">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â    exhibition will be removed after 5pm</p>
<p align="center">&nbsp;</p>
<p align="left">OK, First things first:Â  Nancy Erickson is one of my heroes.Â  She has subtly influenced my work for at least ten years.Â  Click on the image for a larger format.Â  If you are any where near Missoula, please, go visit the exhibition in my stead; send me thought images through the ozone.</p>
<p align="left">Second:Â  I believe the address above to be a gallery I visited in Missoula in the mid nineties.Â  It was filled with art quilts before we were really thinking about them.Â  The trust of the exhibitionÂ  made white cotton gloves available in the absence of human monitors.</p>
<p align="left">Third; What seems like a red herring.Â  Planet.textilethreads.com provides all sorts of international artists and calls to artists.Â  I underwrite this site as part of my contributions to my artistic community.</p>
<p align="left">Fourth:Â  My web master and I have never bluntly or openly asked for voluntary donations to subsidize the continuing stream of information of this site.Â  I think it is time for each reader to contribute what they can.</p>
<p align="left">Please visit my <a href="http://www.thelmasmith.com/index.php?option=com_content&amp;task=view&amp;id=35&amp;Itemid=48">website </a>and scroll down to the paypal button.Â  It is grouped with the purchase of the <em>European Edition</em> of <em>Changing the World One Thread at a Time</em>.Â  You need not purchase the catalog.Â  You have full decision making power in the amount you wish to donate.</p>
<p align="left">Fifth:Â  If there is some wonderful philanthropist out there in the audience, I would love to own another of Nancy Erickson&#8217;s works.Â  I have a fondness for her polar bears.Â  thank you, thelma</p>
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		<title>Grants Opportunity: NEA, American Masterpieces</title>
		<link>http://www.thelmasmith.com/blog/2008/09/19/grants-opportunity-nea-american-masterpieces-3/</link>
		<comments>http://www.thelmasmith.com/blog/2008/09/19/grants-opportunity-nea-american-masterpieces-3/#comments</comments>
		<pubDate>Fri, 19 Sep 2008 16:45:51 +0000</pubDate>
		<dc:creator>thelma</dc:creator>
				<category><![CDATA[american history]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[design inspiration]]></category>
		<category><![CDATA[exhibitions]]></category>
		<category><![CDATA[international artists]]></category>
		<category><![CDATA[public art]]></category>
		<category><![CDATA[societal commentary]]></category>
		<category><![CDATA[state of the world]]></category>

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		<description><![CDATA[American Masterpieces: Three Centuries of Artistic Genius is a major initiative to acquaint Americans with the best of their cultural and artistic legacy. Through American Masterpieces, the National Endowment for the Arts sponsors performances, exhibitions, tours, and educational programs across different art forms that reach large and small communities in all 50 states. For further [...]]]></description>
			<content:encoded><![CDATA[<p>American Masterpieces: Three Centuries of Artistic Genius is a major initiative to acquaint Americans with the best of their cultural and artistic legacy. Through American Masterpieces, the National Endowment for the Arts sponsors performances, exhibitions, tours, and educational programs across different art forms that reach large and small communities in all 50 states. For further details see http://www.arts.gov/national/masterpieces/index.html.</p>
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