Archive for the 'artist's workroom' Category

SAN BUENAVENTURA, California

Commonly known as Ventura. This is now my home. I’ve a new version of WordPress. I am having trouble figuring out how to send you images. So, let’s do it semantically.

I left the Sonoran Desert last spring after twelve years year round. The climate is extreme, the land is beautiful, and the situation was very good to me and to my husband.

About a year and a half ago I formed a plan for one year, three years, and twenty years. I accomplished the one and three year plan is sixteen months. Age indeterminant has been accomplished. I’ve moved back to the ocean as I had to come back to the water.

I’m about eight blocks from downtown Ventura. I can see the Crowne Plaza Hotel at the end of California Street. I can see the pier that was a working wharf fifty to one hundred years ago.

The view of the town, which was built between about 1860(?) and 1920, most often looks as lovely and peaceful as an oldfashioned christmas card. The old gothic church is just two blocks down the hill. I still have not made it down there for meditation.

I can see the ocean from my deck. It is an ongoing vision of solace. I don’t get down to the beach as often as maybe I should. Looking out the door, sitting on the deck, looking into the floor mirror from the kitchen even gives me a view of the sea.

In August I heard an interview on Bookworm on PBS. An author was speaking about islands and oceans. He said that there is something very expansive about facing open water; psychically and psychologically it teaches your body and your soul that there are no limits.

amen

Thanks to my good friend in Montreal all vestiges of the hack attack have been removed. It is a wonderful thing to have friends you have never seen or hugged. Thank you, thank you! ! ! !

I’ve discovered the media file for WordPress.  When I get figured out how to post my own photos I’ll do that.  For this beautiful Saturday morning with a few clouds, a silvery, glistening ocean and 69ºF, have a wonderful weekend.

OH, and a quick ps.  My daughter just phoned.  I had loaned her my Singer 99K about twenty years ago.  She wanted to know what disposition as I told her it was not hers to get rid of.  It’s being placed in the trunk of my roadster later today.

Did you know that sewing machines are like cats?  All are welcome and we don’t count as all are self sufficient.

Barley Cloth

I found a two foot cut of Barley Cloth in the box of whites to dye.  Still have not found the card for the other piece.  I expect it is closer to ten yards.  I’ll weigh them to let you know.  Here’s the image of the weave.

barleycloth.png

Hope this helps.  Next up, once I find the post office information, will be one year and/or multi year sets of magazines that will include free shipping.

Home Again, jiggety jog

In spite of good intentions to write weekly, I’m about ten days out.

Spent the last week in Mount Vernon, Washington.  I went to attend my son and daughter in law’s yard rave.  Wonderful music, skillfully mixed, mashed?, overlaid, and selected was provided by Berto Ross.  He got a big thumbs up from me for taking The Stones You Can’t Always Get WhatYou Want with a heavy drumming back beat from another group of artists.  Lots of good music!

Deirdre,  the mother of my beautiful grandchildren, is an artist in her own right.  I’m sure if you search the link you will find some lovely images.

My daughter, Gabrielle Windsor, was at the rave. Check out her résumé and if you can provide her with a contact, please do.

Her two nearly grown sons did not travel with her.  Check here for lots more images.  She grew up in Port Townsend, Washington, and was one of the original participants in the Great Port Townsend Bay Kinetic Sculpture Race.

The Mediocrity Award  seemed the best way to reward the artistic efforts at the beginning in 1983.  It remains today.

Enough of old memories.  The Northwest always does that to me.  I am grateful for the years I spent there.  I learned a lot.  It’s nice to visit.  I don’t need to live there any more.

Actually, I need, spiritually and psychically, to live exactly where I am, here in Ventura.  I spent the end of last year and the beginning of this year searching the Pacific coast for just the exactly right small city to live in.

That I found an apartment with an ocean view is a bonus.  I came here willingly and will, no doubt, leave the same way.   No pictures today, the iPhoto says 82 remaining to import.

OH! ! ps,   I will be offering things for sale, here, on the blog.  For the first offering:

White Homespun Barley Cloth

This is 100% cotton; each thread will remind you of kite string.  It has one inch hems on the 92″ wide ends; one selvedge and one zig zagged edge.  It is seven and one eighth yards long.

7 ₁⁄₈  yards

 This  is a spongy drapery cotton.  It is normally used hung crosswize for seamless curtains or made up into drapes.  Homespun House no longer stocks the barley cloth weave; the monks cloth is the closest match.  Barley cloth, originally twice as wide, has more depth and texture.

Contact me if you would like to buy this.  I will scan a sample next week.  I will post the image.   Remember this was originally 110 inches wide and has been washed down to eliminate the shrinkage.  Price is $110 for the whole cut.  Shipping cost (FedEx Ground) will be added.  This is quite heavy; shipping may run as high as $35.  I will charge you my cost plus the cost of the container.   I do take paypal through my website; scroll down from the link.

Sorry for the long sales ramble.  That’s what happens without preplanning.  Keep in touch.  I have a second piece of barley cloth that is similar in size; I’ll have to find the card for that one.

Arts Funding, Programming and Performance Opportunities

Not one of the hotlinks appears to have transferred.  I think you will have to google.

Arts Funding, Programming and Performance Opportunities:  Take the time to review this list.  Deadlines vary.
Ringing Rocks Foundation Offers Support to Conserve Cultural and Healing Practices of Indigenous People
Cintas Foundation Announces Opening of Fellowship Competition for Artists of Cuban Lineage
National Film Preservation Foundation Offers Grants to Preserve Avant-Garde Films)First Nations

Composer Initiative Invites Applications for Common Ground Grant Program
Open Society Institute Seeks Proposals for Documentary Photography Distribution Grants
ICMA Offers Public Library Innovation Grants
National Endowment for the Humanities Offers Small Grants to Libraries to Host Lincoln Exhibit
Music Matters Announces Music Education Grant Guidelines
Multi-Arts Production Fund Offers Support for New Work in Performing Arts
Big Read Offers Support for Community Reading Projects
National Museum of the American Indian Invites Applications for Indigenous Contemporary Arts Program
Blakemore Foundation Offers Support for Asian Language Study and Fine Arts Programs
Sundance Institute Accepting Entries for Documentary Fund
ASCAP Foundation Invites Entries for Young Jazz Composer Awards
NAMM Foundation Offers Funding for Music Making and Research
Nominations Invited for Carnegie Corporation of New York/New York Times I Love My Librarian Award
Harry Ransom Center Seeks Applications for Research Fellowships in the Humanities
Community Leaders Invited to Apply for Preserve America Community Designation
Guitar Center Music Foundation Offers Support for Music Instruction
Princess Grace Foundation-USA Announces Availability of Applications for 2008 Awards in Theater, Playwriting, Dance, Choreography, and Film
Doris Duke Charitable Foundation’s Arts Program Announces National Projects Fund
American Councils for International Education Offers Support for Policy Relevant Research
Meet The Composer Accepting Applications for Creative Connections
Theatre Communications Group Announces Deadlines for Career Development Programs for Theater Directors and Designers
Bush Foundation Announces Artist Fellows Program
Surdna Foundation Announces Request for Proposals for Creative Writing Residencies for Teens

Call To Artists – Tubac Arizona Winter Invitational

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~ Manos Gallery~
Tubac Arizona Winter Invitational
Open to all media

Feb 28 – March 15   2009
Contact Person: Mary Helen Watson 520-398 8144 manosgallery@msn.com
website manosgallery.com

Juror:  Michaelin Otis LWS, TNWS, NPWS avalonarts.com

CALENDAR: Please keep this Prospectus for reference until the show closes.

ENTRIES and Fees MUST BE POSTMARKED NO LATER THAN Nov 30, 2008.

Deadline for emailing entry images (digital) Nov 30, 2008

Acceptance notices will be sent out by Dec 15, 2008

Opening Reception: Feb 28  2009— 2 to 4 PM

Last Day of Show: Sunday, March 16  2009

Return of Unsold Work: Monday, March 17, 2009— Prepaid shipping labels required or d

All work must be original, created within the last 2 years and not shown previously in
a juried show in Tubac or surrounding area, including Tucson and Phoenix. Frames can be metal or wood. Wood frames must be simple, classic, and 2 1/3” or less in width. Manos reserves the right to refuse anything too ornate. Plexiglas is required if needed. Mat color should be white or off-white. Colored liner mat (fillet) is OK.  No frame larger than 42” on either side.
All artwork must be for sale.

IDENTIFICATION LABELS: Face back of artwork & place in lower left hand corner. Be sure the information on Entry #1 is identical to that on the Title #1 entry form and that
Entry #2 and Title #2 match also. We suggest you photocopy these in order to keep your
prospectus information intact.

Entry #1                                                                    Entry #2

Artist _____________________________ Artist ______________________________

Title ______________________________ Title ______________________________

Medium ___________________________ Medium_____________________________

Size ________ Price ___________ Size __________Price __________

Presentation:  Work will be rejected from the jury process: any artwork not presented
in a professional manner, appropriate for exhibiting  or not accurately represented by slide or image. Frame carefully, making sure frames are in pristine condition with tight corners and wire that is fastened about 1/3 the height down and has 2 to 3-inch flexibility. Mats must be clean and well cut. Plexi should be damage free and have no foreign matter (i.e.. pet hair, bugs, etc.) underneath. If this sounds daunting, please consult a professional framer.  Manos requests that each entry have a brief bio fastened securely to the back.

Entry Fee: Non-refundable $35 for the first entry and $20 for the second entry, with a maximum of 2 entries for $55 due with entry. Entries postmarked no later than Nov 30 2008. Mail to

MH Watson

747 Via Vanilla

Rio Rico, AZ 85748

MAKE CHECKS PAYABLE TO Manos.
Shipping instructions sent with acceptance card.

Bios: e-Mail a 1-page bio to manosgallery@msn.com.

Juror: The Juror of Selection and Awards will be: Michaelin Otis of Green Valley, AZ.
Check her website at avalonartsgallery.com

Commissions and Awards: A 40% commission from each sale will go to Manos
Please price your paintings accordingly. Cash awards will be given including
the $500 Best of Show  Jurors Recognition $100 and 3 $50 Awards of Merit.

Sales and Shipping Procedure: Sales will be handled by the Manos Staff. Payment for sales to artists will be made by April 1.  All shipping of sold work will be handled by Manos Gallery.

Security and Gallery Features: The gallery carries insurance on these paintings (up to
$150,000 collectively) during the time they are in the gallery. Humidity, temperature, and
lighting are carefully controlled to assure paintings are protected and displayed in the best
professional manner.

Opening Reception and Show Specifics:
Saturday, Feb 28 2009, 2 to 4 PM is our opening reception.
Awards will be presented at that time.
The show will remain open daily from 10 AM to 5 PM.
Subject Matter: Open

Pg 3

Watercolor Invitational ENTRY FORM

Mail to Manos   747 via Vanilla   Rio Rico AZ, Arizona, 85648,
Postmarked no later than Nov 30, 2008. Include a check payable to Manos for $35 for one entry or $55 for two entries. Photocopies are acceptable if you do not want to lose the
Information on the back of the form.

Artist (print)

______________________________(Sign*)_______________________________

*I confirm that the work submitted is my own unique, original creation. It is not copied or
derived, in whole or in major significant part, from the work of another artist and/or photographer without his/her written permission. I also understand that, although all possible care will be afforded each entry, Manos Gallery will not assume responsibility for damage or loss.

Address ______________________________________________________Zip _______

Phone _______________________ Email _____________________________________

TITLE#1_____________________________________ Frame Size _________________

Medium _______________________________________Price _____________________

TITLE #2 _____________________________________Frame Size ________________

Medium _______________________________________ Price ____________________

Nancy Erickson

nancyericksonbears.jpg

 

Brunswick Building Gallery

233 West Railroad Street

Missoula, Montana  59802

 

new oil stick paintings

Nancy N.Erickson

 

Four Day Exhibit 2008

 

Opening:  Thursday, October 2, 5 – 8 pm

                       First Friday, October 3, 1 – 8 pm

                         Saturday, October 4, 11am – 5 pm

                                Monday, October 6, close, 11am – 5pm

                              exhibition will be removed after 5pm

 

OK, First things first:  Nancy Erickson is one of my heroes.  She has subtly influenced my work for at least ten years.  Click on the image for a larger format.  If you are any where near Missoula, please, go visit the exhibition in my stead; send me thought images through the ozone.

Second:  I believe the address above to be a gallery I visited in Missoula in the mid nineties.  It was filled with art quilts before we were really thinking about them.  The trust of the exhibition  made white cotton gloves available in the absence of human monitors.

Third; What seems like a red herring.  Planet.textilethreads.com provides all sorts of international artists and calls to artists.  I underwrite this site as part of my contributions to my artistic community.

Fourth:  My web master and I have never bluntly or openly asked for voluntary donations to subsidize the continuing stream of information of this site.  I think it is time for each reader to contribute what they can.

Please visit my website and scroll down to the paypal button.  It is grouped with the purchase of the European Edition of Changing the World One Thread at a Time.  You need not purchase the catalog.  You have full decision making power in the amount you wish to donate.

Fifth:  If there is some wonderful philanthropist out there in the audience, I would love to own another of Nancy Erickson’s works.  I have a fondness for her polar bears.  thank you, thelma

Good Friends & Gifts of the Universe

easel.png

When a dear friend was in the process of moving the inevitable down sizing occurred.  Things were going up on Craig’s list.  I got a note saying, oh, I think the overhead projector is priced too low. I’m also worrying about the space for the easel.

So, last Monday I trucked on up to the edge of Oro Valley.  Or maybe it’s technically in the town of Marana.  I don’t know.

Anyway, look what came home with me.  I’ve learned something about manifesting abundance.  I have always known that first you notify the universe and then you get to work.  That has now been technologically enhanced.

I use Firefox  as a web browser.  It gives me the ability to open innumerable tabs and my macbook remembers them from one day to the next.

I had been researching easels.  I must have had every style and every manufacturer and every retailer of easels in my tabs.  At the end of getting my web work done I would browse through all the easel tabs.  Finally I deleted them.  That’s when I got the note from my good friend.

Yes, the universe does work in interesting ways.

VIVA ARIZONA! Hispanic Performing Arts Conference-

July 30-August 2
Will present workshops, fiesta & concerts at The University of Arizona School of Music & the UA Centennial Hall July 30-August 2, 2008. Music & Dance Workshops will be hosted at The University of Arizona School of Music: Flamenco, Salsa, Hip Hop, Folklorico, Mariachi, Tejano, Guitar Trio, Classical Flamenco Guitar, Zumba and Voice. This year’s mariachi workshops will be directed by Jose Hernandez from Mariachi Sol De Mexico. VIVA FIESTA will be held in front of UA Centennial Hall on Saturday, August 2 from 3pm to 6pm. The AHS will conduct a Storycorps program at the fiesta, modeled on National Public Radio’s oral history project of that name, where the attendees can reminisce about how music and dance has influenced them in their everyday lives. Authentic Mexican and Spanish food and drink will also be available at the Fiesta.“VIVA ARIZONA!” 100 Years of Hispanic Musical Memories CONCERT at the University of Arizona Centennial Hall Saturday August 2,  2008 at 7:00pm. A Musical and Dance Production- showcasing the History and Evolution of Tucson’s Hispanic Musical Heritage. Featuring: Special Guest Jose Hernandez and Mariachi Sol de Mexico, IMAS,Hermanos Perez Trio, Olga Flores, Viva Orchestra under the direction of Jesse Tovar, the Viva Arizona Dancers and much more. Tickets available at the UA Centennial Hall Box Office 1020 E. University Blvd. (520) 621-3341 For more information you can visit www.vivaazworkshops.com

From Our Perspective,

a national women’s art exhibition – deadline August 1
Sponsored by the Oakland Community College Womencenter, Farmington Hills, Mi., From Our Perspective is accepting digital entries, with a deadline of August 1st. This juried exhibit will feature women artists and will include two- and three-dimensional works of art.  The Juror, Susan Goethel Cambell, lives and works in Detroit, Mi. and has work in many public and private collections, including the National Museum of Women in the Arts, The New York Public Library, The Detroit Institute of Arts, The Toledo Museum of Art and The University of Michigan Special Collections Library. Fee: $25 for up to 3 works. Awards: Best of Show $800.00, President’s Award $250.00 and a Purchase Prize of $250.00 (for smaller pieces).  To view full prospectus, and to upload images online, go to www.oaklandcc.edu/womencenter/artshow.htm.  Exhibit runs Sept. 18-Oct. 10 2008.  Please contact Arlene Frank with any questions at womenart@oaklandcc.edu

National Native Creative Development Program – Deadline: June 1

There is still time to turn in a letter of inquiry to be considered for National Native Creative Development Program for individual artists and the National Native Master Artist Initiative grant programs. Qualifying artists will be asked to complete a full application but only if you submit the letter of inquiry outlining your project first. These programs are open to all US Native people who are enrolled members of a federally recognized tribe, village, or state recognized tribe or village as well as to Native Hawaiian artists.
For more information visit: www.evergreen.edu

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