Archive for June, 2010

Books, Art, and Book Art

I’ve always been a reader.  As a child it was a place to hide.  It was a place to begin to untangle the secrets of the adult world.  In a one room school house decorum was all.  Books kept me far and away from the impulse to misbehavior when the second and third grades were receiving the attention of the teacher.

A couple of weeks ago I went on a book ordering binge.  In the last twenty years I’ve worked with textiles.  My book cases have become crammed.  Still, I need that tactile connection to a book.  My textile work has not restarted. I still crave the physical handling of both books and fabrics.  The books I’m going to talk about here give me some sense that I can combine both books and fabrics.

Painted Paaper by Alisa Golden

This is a lush and seductive book.  Page after page of encouragement to paint, stain, illuminate, and write on very large sheets of artist’s paper.  By the time I was towards the end I was salivating over the hand made book examples using the paper being produced.  I came to the point of wanting much more specific instruction of the actual building of books.

This surfaced in the pile next to my place mat when I put Painted Paper on the bookshelf:

This is one of the most information dense “text” books I’ve ever studied.  It will not replace the interaction and community of studying in person with a group of people.  It comes as close as possible.  I did not study each and every step of every format of book and slip case.  My mind could not take in all the information at that point.

I added that book to the book shelf, on the top shelf at the right end where I can find it again easily.  This was the next book in the pile:

I think this becomes like the notations on ancient maps, “Abandon hope, all ye who enter here!”  This is a compilation of what many artists have done with the book format in the last decade or two.

When I finished Unique Handmade Books I truly felt I had the vision and the manual skills to produce my own books.  5oo Handmade Books has left me reeling in a very good way.  I don’t know if I will ever gain this level of skill.  To make books that are art is the work of a life time.  I am completely blown away.

Now, finally, I have enough perspective on all of this that I can begin to process the information.  I am remembering lovely embossed full sheets of Arches 300# paper in my blueprint cabinet.  I’m wondering if I can add color and washes and inks to them without destroying the embossing.  I can, at least in my mind, envision cutting those large, some day painted, sheets into a book.

Louise Bourgeois Dies

This obituary is reposted from the United Kindom Guardian as a matter of fair use according to the copyright laws.  It is provided in the spirit of education.

US sculptor Louise Bourgeois dies aged 98

French-born American sculptor Louise Bourgeois has died in New York, at the age of 98.

File photo from 1990 of Louis Bourgeois

Bourgeois suffered a heart attack two days ago

Based in New York since 1938, Bourgeois gained fame late in her long career and kept working

to the end of her life.  Her giant spider sculptures have been exhibited around the world and

earned her the nickname of Spiderwoman.  Her abstract explorations of themes such as birth,

sexuality and death made her one of the world’s most influential contemporary artists.

French-born artist Louise Bourgeois' sculpture of a giant spider   outside Tate Modern in London in October 2007
Although she had long been regarded by her contemporaries as one of the world’s most

important artists, it was not until her 70s that she began to attract a wider audience.

Her spider sculptures – some of which are three storeys high – have been exhibited

around the world, including the Tate Modern in London.

In a statement, the gallery said: “We were deeply saddened to hear of the death of Louise

Bourgeois this weekend. Always at the forefront of new developments in art, she pursued

a wholly personal path and was powerfully inventive, working in dialogue with the

major avant-garde movements of her time.

“Her death is a great loss.”

Bourgeois’ vast installation, I Do, I Undo, I Redo, was the first commission in The

Unilever Series for Tate Modern.  Her sculpture of a giant spider, Maman, was part

of the Unilever Series at the gallery which greeted the very first visitors in 2000.

Ann Coxon, assistant curator at Tate Modern, said: “Apart from its overwhelming

physical presence, the interesting thing is that Louise associated the spider with

her mother – a tapestry restorer – a very industrious woman always spinning or weaving.

“So for Louise, the spider is a very positive feminist statement.”

‘Enormously significant’
The artist said her main inspiration came from her childhood in France, where her father

had an affair with her governess, which her mother refused to acknowledge.

Bourgeois’ Three Horizontals was shown at the Pompidou Centre in 2008

She also used her own clothes as the basis for a series of bronzes.  Artist Richard Wentworth,

from the Royal College of Art, called the sculptor “enormously significant”  He added: “She

connected the intensely private act of being an artist with  the intensely public act of developing

a worldwide audience.  “To have worked constantly for so long and so publicly – is in a field of

its own. There are very few female artists who make it to later life and it’s very tough to be a

woman artist or sculptor.”

Three Horizontals

Conceptual artist Jenny Holzer said she “orbited Bourgeois” and that “my artist friends and

I are crying today”.

French President Nicolas Sarkozy also paid tribute to Bourgeois, calling her “a very great artist”

who “never stopped creating and renewing herself in her art”.  Bourgeois had been able to “reach

a higher truth, rich in its contradictions, avoiding the trap of the latest trends,” he added.

French Culture Minister Frederic Mitterrand spoke of his sadness, saying in a statement

that the world had lost “a great artist, indomitable and universal”.